ALLOW ME
Information:
Allow Me (Music and Life Notebook)
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Piano solo
Contemporary / 2020 / Copyright © Anaya Javier
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"No one ever told me that grief felt so like fear." — C.S. Lewis (A Grief Observed)
FROM HELL AND BACK
According to Wikipedia, "Grief" is simply the direct response to pain or loss, whether the response is physical, emotional or both; it is directly connected to how we behaved during the calamity.
I have been experiencing grief, and for me, what can I say?, it's been a year from hell and back. I read in a unfamiliar article that, there are five stages of grief, in another similar article they added two more, and that is not all, some other article dare to identified twelve. I am not an expert, however, I can tell, with no doubt in my heart, that there are at least one hundred and forty five indescribable stages of the devastating event that I am experiencing.
ASTONISHING CONVICTION
Since the very moment we are born, we are place in death row, we all know this, and yet, when the moment comes, we cannot make ourselves ready, because is not in our system to be ready for such dark predicament, on the contrary, we feel with astonishing conviction to the very last moment, that we are going to live forever. That thought itself, should suffice, in a way, to feel perpetually in some kind of emotional grief.
This contradiction of knowing and the refusal to accept the inevitable is what makes me deranged. The unsatisfactory answers and the unbelievable freedom some people take to explain comparable nonsense is excruciating to my core.
- Denial
- Bargaining
- Anger
- Guilt
- Depression
USELESS SHELTER
This piece of music for piano that I composed, is the result of grieving the death of my companion of twenty two years. The melody allows me to be strong and explore all the phases of grief, although, at the same time, it feels similar to a useless shelter that intends to protect me from a storm; because, the horrible state I am, will not disappear just by playing the piece.
The color of the melody gives me the opportunity to express different ideas and because of the rubato tempo, it provides the anticipation of something good about to happen but it never does; instead, I feel denial, I discern guilt and, I detect depression and I perceive bargaining inside me, but above all, I sense anger taking place and gaining territory. Pain cannot be fixed. and as I play the inexcusable measures I know that is going to be a long way, before I began to feel like myself again.
I do not think my composition is a depressing piece of music, some might hear melancholy instead, others might hear romance, yet, others will hear joy; but in my present condition, what I hear when I play the piece is vastly unpredictable.
INTENSE FRUSTRATION
Of the above phases, anger is what I experience with more intensity. I would like to think of it more as a profound frustration and disappointment. It takes time for grief to diminish, there's no time set for my poison emotions to heal. But with all honesty, sometimes I think I would be sad for the rest of my life. I read the following in a 2018 The New York Times article title: Understanding Grief by Jane E. Brody: “You never get over it, you get on with it, and you never move on, but you move forward.’” Indeed, it is deeply surprising how the world keeps functioning with so many wounded people roaming around.
ALLOW ME
Thus, allow me to feel pain. Give me space, I am not the first nor will be the last to experience the death of a love one, therefor, I do not need your pity, I am not a victim, keep your religious believes bury deep inside your mind, I don't care for them. They are not pleasant. Above all, keep silence and don't, I am going to be very clear on this, DON'T pretend nothing took place and that I should, instead, be happy on your own terms, because you cannot handle my misery.
Every time I play this piece, there are moments of realization where I can let go of my frustration and play Fortississimo without being afraid I might be, in all consent, out of line.
Written by Javier Anaya
CONTROL
Information:
- Source: Music and Life Notebook
- Key: B minor
- Measures: 48
- Parts: Cello and Piano
- Duration: 2:45 min
- Pages: 4
Control (Music and Life Notebook)
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Cello, Piano
Contemporary / 2021 / Copyright © Anaya Javier
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Of all men’s miseries the bitterest is this: to know so much and to have control over nothing.— Herodotus (The Histories)
AN ESSENTIAL PART
To have control, or to feel in control, is an essential part of our existence, if we do not have it, even in small quantities, we perceive it as a sign that something terribly is wrong. It does not matter where we live, or how profound our background is, our life experience does not give us a wise inside of what being in control means; we poses the desire to control ourselves, to control our surroundings and what is worse, to control others.
The channels we exploit to gain control are remarkable. Some of us rely heavily in deception to obtain what we want, we become over time professional manipulators, and do not have any problem lying or modifying the reality or changing the facts to our benefit. Some others apply cheap tricks, unrefined ways to acquire personal gain.
When lies and tricks do not work, some depend, as a last resource, in extortion, intimidating and threatening everybody around them, causing fear. This very particular unhealthy way that people utilize to gain control over others, is as old as human civilization, if one can call the act of tormenting others a civilized act.
CONTROL TACTICS
Why is control so important in human lives?, How much of our time and efforts we are willing to invest to secure some kind of control? As it turns out, we apply control tactics ALL the time; even when we are not aware of the situation.
There are very subtle ways available to humans to exercise restraint that when they are apply, hardly anybody notices them, but again, we do it all the time.
- The silent treatment to your mate
- Never being understood by your colleagues
- Expecting everybody around you to read your mind
- Not willing to agree to anything
NO MATTER THE COST
More often than not, we underestimate just how much chaos surrounds order, and how inseparable they are, and we tend to focus our attention to one or the other. But when our attention is on chaos, we panic and two things can happen: we could freeze and stay inactive hopping it would go away or do everything that is in our power to take control, no matter the cost!
PERFECT IN B Minor
This piece of music, written in B Minor, it's in the perfect key to remind me that at any given day, our lives could be heaven or could be hell, we could then, throw a tantrum when we don't get our way. I for my part, know that there is frustration when things get out of control, however, in measure 21, there is an invitation to reflect on these specific situations that cause self pity, forcing us to sob unconsolably and feel like a wounded animal.
At the end of the day, we hope to build enough courage and have patience to wait for the thick clouds to dissipate. Completely heal, we then, plan to go back to our normal life before is to late, before we get swallow by a storm so big, that we would rather want to disappear forever. BUT the question remains, why do we fight perpetually for control?, because, if we do not have it, even in small quantities, somebody else will!
Written by Javier Anaya
ESCAPE
Information:
- Source: Music and Life Notebook
- Key: D Major
- Measures: 36
- Parts: Cello and Piano
- Duration: 2:27 min
- Pages: 3
Escape (Music and Life Notebook)
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Cello, Piano
Contemporary / 2020 / Copyright © Anaya Javier
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Forget about what you are escaping from. Reserve your anxiety for what you are escaping to.— Michael Chabon (The Amazing Adventures of Kavalier & Clay)
LOOK AROUND YOU
Take a look around you, it seems, everybody is perpetually looking for a way out, a way out of the right now, a way out, out of the present. What is taking effect in the present that we want to escape? it is called: Reality. We'd like to live in a fantasy world where, everything is perfect. The problem with that is, the world is far from being exquisite, it is in fact, a dangerous place.
I cannot speak for everyone, but, there are a lot of things that cause anxiety inside me; sometimes, things as simply as a being late to a place creates an uncomfortable situation. Other times I think, the world we live, was design to create infinite distractions, specifically to amplified inner turmoil among us. It is during those anxious moments when it's difficult not to see life as a nasty carnage. Yes, I want to escape.
ESCAPE FROM REALITY
This composition reminds me of the past, the people, all the things and the situations that will never be again. The memories of my past are a safe zone, the future is so uncertain. This piece, no doubt, represents an escape from reality. I perceive it, as an escape route from pain, from lost and sorrow, from anger, from unknown feelings that I was not aware exist as a result of grief.
Devastating events are supposed to happen to others, we foolishly reason, therefore, We are unprepared for the task upon us and, it all happens so fast when is our turn. The mixture of uncontrollable feelings is, needless to say, unexpected as a result of dealing with grief, having the potential of making us an emotional human waste.
THE NEXT BLOW
Nostalgia is that subtle ache in the heart, longing for the past, yearning for a place or a person that no longer exists. How I wish time would had stopped and froze in time. Yes, some of us look back into the nostalgia of the past for comfort. This piece I've named Escape; opens the door to vulnerability, thus offering an idea of what is like to be present in the world, thinking about the past, but hoping for a better future. The piece reminds me that's perfectly ok to be vulnerable, however, warns me to be ready for the next blow.
I do not have the energy to be ready for the next blow, I want someone else to take charge and assist me escape reality. Mylene Farmer wrote a song, in it, She shares with us how disappointing the world can be, the words speak directly to the heart, and the meaning of the song makes much more sense when someone has been confused by the ramifications of life and the work it takes to deal with the unexpected.
These are the lyrcs:
Nager dans les eaux troubles
Des lendemains
Attendre ici la fin
Flotter dans l'air trop lourd
Du presque rien
A qui tendre la main
Si je dois tomber de haut
Que ma chute soit lente
Je n'ai trouvé de repos
Que dans l'indifférence
Pourtant, je voudrais retrouver l'innocence
Mais rien n'a de sens, et rien ne va
Tout est chaos
A côté
Tous mes idéaux des mots
Abimé
Je cherche une âme, qui
Pourra m'aider
Je suis
D'une génération désenchantée
Désenchantée
Qui pourrait m'empêcher
De tout entendre
Quand la raison s'effondre
A quel saint se vouer
Qui peut prétendre
Nous bercer dans son ventre
Si la mort est un mystère
La vie n'a rien de tendre
Si le ciel a un enfer
Le ciel peut bien m'attendre
Dis moi,
Dans ces vents contraires comment s'y prendre
Plus rien n'a de sens, plus rien ne va
GRACEFULLY ACCEPTING DEFEAT
I've surrendered to the imminent, it is an act of courage, I would like to think so anyway, and a wise thing to do when I also, realize, there is no solution to the unpleasantness in life. I've always use music to carry on, the melody in "Escape" provides the necessary mechanism, in a temporary way, to handle life and gracefully accept defeat.
Indeed, there's danger and there are countless disappointments out there that one must escape from. We need to run away from it, to stay lucid, until the very end. Life can change in a blink of an eye, leaving us disoriented in an effort to understand what just happened. Through out life, we are expose to a vicious drift, so unpredictable that makes my whole body shivers.
In memory of my best friend:
November 18th 1945
December 10th, 2019
Timothy J. Sigurdson
Written By Javier Anaya
LOUD AND CLEAR
Information:
- Source: Approved Measures Notebook
- Key: C Major
- Measures: 36
- Parts: Cello and Piano
- Duration: 3:19 min
- Pages: 3 Pages
Loud and Clear (Approved Measures)
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Cello, Piano
Contemporary / 2019 / Copyright © Anaya Javier
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Delivering an uncomfortable truth, I am convinced, it is far more effective when is done loud and clear through music.
IN CONSTANT CHANGE
FROM FAR AND WIDE
Music can tell us, loud and clear, about the composer, but also music has a way to be the mirror image of society and entire cultures around the world, and when it manages to make a difference in peoples lives, it does screams even louder. There is no other form of art that has a tighter grasp on people and the great power to unified them from far and wide.
Music has the power to criticize, contradict, insult, change, confront and yet, we are more willing to forgive and accept the message, thus, music can do sometimes, what words cannot. Music, at the same time has the power to inspire, heal, soothe, provide comfort, and surprisingly, we respond equally passionate to the message.
MUSIC THAT SPEAKS LOUDER THAN PLAIN WORDS
LISTEN AND DISCOVER
Written by Javier Anaya
KISSES
Information:
- Source: Music and Life Book Notebook
- Key: Bb Major
- Measures: 49
- Parts: Cello and Piano
- Duration: 2:50 min
- Pages: 4
Kisses (Music and Life Notebook)
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Cello, Piano
Contemporary / 2020 / Copyright © Anaya Javier
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I didn't want to kiss you goodbye — that was the trouble — I wanted to kiss you good night — and there's a lot of difference. — Ernest Hemingway
Hello,
PAY CLOSE ATTENTION
The need to connect to another human being is of vital importance for our own well being. Kissing allow us to get close to one another, but the activity of kissing is such an ordinary venture that we do not always perceived the real meaning of it, unless of course, we pay close attention.
But kissing has different meanings depending on the situation. The activity of kissing, grant us license to say many things. Kisses, for example, can say: I am delighted to be here with you, or thank you for everything you've done for me, some kisses would seal a long lasting friendship between two lonely souls. The use of a kiss, substitutes the need for words to communicate our intentions or our emotions.
- Love
- Passion
- Affection
- Respect
- Greetings
- Friendship
- Peace
THE RECORD SHOWS
Kissing is one of the most versatile activities, depicting, not only positive qualities of our intentions, sometimes negative aspects just as well; acts of hypocrisy and betrayal are common, that is the case of the most infamous kiss recorded in the Bible, which is a good example of duplicity.
Record shows, that kissing can be political and/or controversial, according to the era or the method use to document it. Nevertheless, nobody knows exactly how humans starting to utilize kisses as a form of communication. There'd been studies on the topic, but there is nothing conclusive.
GIVE AND TAKE
It doesn't matter if kissing is a learned behavior, something we do naturally or both; the mystery is completely irrelevant to our senses, in fact, a kiss can be extended to the animal kingdom and our pets can, for sure, benefit from a warm, delicate or effusive kiss that shows we love them very much.
I wrote this piece while I was living in Springville, CA. My life had just gone to a major changed and I was feeling vulnerable. The pandemic was in its prime and I was inspired by the way humans showed courage. Many times over, I saw people: young and old, blowing a kiss in the air to a loved one, and this sufficed to boost the confidence to keep going.
After the piece was done, I realized, no without a surprise, I was exclusively thinking of the kisses I'd received, but never once I thought of the kisses I'd offered. Shame on me, I thought. Life works better when you give and take in equal proportions, it keeps the flow, in this case, of the mysterious brew of chemicals at the time of kissing.
ACCEPTING THE FACTS
After pondering on the matter, my surprise was bigger when I realized that _ In the curse of my life _ I've had the opportunity of extending my intentions with the use of all kind of kisses: Affectionally, effusively, romantically. I have blowing kisses in the air, and sadly; I have, also, given the kiss of death. For this, I am not delighted, in fact; I'm mortified to let the world know; but I have to accept the fact that sometimes I cannot handle gracefully my humanity.
I wanted to create a gentle sound, a tender sound telling a story, perhaps of two people caring and reassuring each others feelings with a kind but long kiss. It is a possibility the music will tell the story of a mother kissing tenderly her baby. For all I know, it could be two friends kissing after a long time of absences, I dare say; it could also be a last kiss. Perfect in the key of B flat Major.
Written by Javier Anaya
SILVER LINING
Information:
- Source: Music and Life Book
- Key: C major
- Measures: 48
- Parts: Cello and Piano
- Duration: 3:01 min
- Pages: 4
Silver Lining (Music and Life Notebook)
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Cello, Piano
Contemporary / 2020 / Copyright © Anaya Javier
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CONQUERING RHYMTH
Syncopation is the technique composers use to write an unexpected, or an irregular rhythm pattern, the inconsistency of the rhythm affects the attribute of the music, thus, challenging the listener with exciting new outlines along with bold suggestions.
This constricted technique had been in used since the beginning, and it is found virtually in all styles of music; wherever there is rhythm, there is also the potential for syncopation. The technique is a necessary course of action, syncopation encourages the composer to construct a solid, and meaningful relationship between rhythm and melody.
The irregularities when the natural rhythm is restricted, feels as if there has been a mistake in the music, however, once it's been understood, turns into a major part of music, and becomes a necessary aspect of composing. As a musician, I could tell the great satisfaction I experience, when complicated and uneven rhythms are conquer.
TOO MANY RULES
Last night, while I was playing this piece, the syncopation in the measures felt as if I was, deliberately, challenging an establish oppressed rule. Indeed, it appeared I was perpetrating an act of civil disobedience. Albeit, I did not write this piece as a protest against an obtuse ruler, it is instead, the evident analogy between the discrepancies of syncopation in music, and a gentle demonstration of my disapproval of the unpredictability of life.
But life being life, how do I stop the injustice of its ways?, Copping with it, is as closed I can get to do anything about it. Other than that, there's not much to do. Except perhaps, writing satire about it, the same way the Goliards in the middle ages did, while living in Monasteries across Europe.
I'd like to share a poem from the 13th Century, written in Latin, no doubt as a disobedience to the authorities. I can't imagine these written poems having another purpose, other than to challenge the dangerous ideas and the tight rules of the Clergy. The composer Carl Orff set this poem to music. It talks about the definite power of fate.
THE POEM
O Fortuna
Velut luna
Statu variabilis
Semper crescis
Aut decrescis;
Vita detestabilis
Nunc obdurat
Et tunc curat
Ludo mentis aciem,
Egestatem,
Potestatem
Dissolvit ut glaciem.
Sors immanis
Et inanis,
Rota tu volubilis
Status malus,
Vana salus
Semper dissolubilis,
Obumbrata
Et velata
Michi quoque niteris;
Nunc per ludum
Dorsum nudum
Fero tui sceleris.
Sors salutis
Et virtutis
Michi nunc contraria,
est affectus
et defectus
semper in angaria.
Hac in hora
Sine mora
Corde pulsum tangite;
Quod per sortem
Sternit fortem,
Mecum omnes plangite!
RELIEF AND CLOSURE
In this way, there are times, when situations in life become rigid, especially if authority is involved, and, being quietly disobedient, it's the only tactic I can count on. Surely, the above poem proves, that I am not the only one, with a natural inclination, for wanting to apply a forced, if I really have to, to stop the injustices of someone else's way.
And so, here we are. Life is full of temporary displacements, the same way as in music, with abrupt events happening all the time. Certainly they make life, and music, in many ways, more difficult. All these changes come and go as quickly as they appeared, but once they are gone, they provide along the way, relief in life, and closure in music just the same.
TRUE DISOBEDIENCE
The reality is, life is packed with syncopation. But the rapid changes, I have to admit, could make life exciting in a very peculiar way. Thus, giving me the option to enjoy or complain about it. Likewise, music syncopation allows me to enjoy or to suffer, or do a little bit of both. This way, in life and in music I get to experience feelings and have ideas on my own, without the need to apologize for any to anybody. That's what I call a true disobedience.
Written by Javier Anaya
MARCH
Information:
- Source: All Year Round Music Notebook
- Key: D Minor
- Measures: 48
- Parts: Cello and Piano
- Duration: 3:00 min
- Pages: 4
March (All Year Round Music Notebook)
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Cello, Piano
Pop / 2018 / Copyright © Anaya Javier
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FROM COVER TO COVER
Teaching Little Fingers to Play by John Thompson was my first piano book, I remember the lessons on each page, and how much excitement I felt when it was time to turn the page and learn a new tune. I remember the lyrics and the music. Even to this day, once in awhile, I grab John Thompson's books and play the music.
Beyer's piano method was another book that I played from cover to cover, it surprises me how much joy I experienced playing all the exercises that most people would regard as monotonous or meaningless. The truth is, practicing has never been an issue for me. I can always play my piece one more time.
TECHA
I also remember the out-of-tune piano where I played my first do-re-mi. The school, and the classroom seemed bigger than I though they really are. I did not know much about my first piano teacher, but I could tell she was hugely kind and passionate about music; If my memory hasn't failed me, she went by the name Techa, there were rumors she was originally from Puebla City.
The laughter and joy she expressed after we'd, successfully, played a duet, had stayed in my memory. I will esteem those moments for the rest of my life. It is because of her, that I love playing duets. Making music with a group, takes away the isolation and mystery that, musicians, now and then, experience.
ILIANA
There was a second teacher I had in the beginning of my adventure, things were getting more serious, after a while, music was more challenging and it required more effort to learned. The secrets of music were unraveling little by little in front of my own very eyes.
I remember the clean house, and the upright piano in the living room, and I also remember traveling 45 min to my piano lesson, there, in that well kept house, my teacher, (a middle age, tiny woman) waited for me to arrived, and every Saturday morning we had a piano lesson for a whole hour, I knew she had other students but I never met anybody else.
My teacher's name was Iliana and she was unstoppable, always very kind, but when it came to music she was very serious, and demanding. I have to admit, I was a little bit intimidated by her demeanor.
BE AFRAID
Baroque and Classical music were her favorite styles to teach: Beethoven, Haydn, Mozart, they all were ever present, however, when she played Bach, it came with a warning: “Be afraid”_ she’d said_ “Bach requires patience and diligence, both hands are of equal importance”. Playing music by Bach feels much the same as the month of March, as I get to experience Summer in the light and Winter in the shade.
Inarguably, I learned that playing Bach, one must develop military discipline and yes, I am very afraid of Bach's music, but it is equally satisfying to play, nonetheless. And just to be fair, all baroque music requires careful attention and it has my most sincere respect.
THANK YOU
The elegance, the gentleness, the rapid rhythm of this composition, reminds me of my teacher's driven disposition. It brings to mind, all at once, the fast pace of the lessons and the leisure we took to pay attention to the details. The strict precision of the beat, depicts my teacher Iliana's musical genius, and the seriousness but warm melody, outlines the disposition of my teacher Techa.
It's of no surprise, the feelings of freedom and determination the music duet provokes in my frame of mind makes me yearn for more, it resembles a light but vicious circle, where I find myself confine, but I do not want to escape.
I am dedicating March to my piano teachers, for taking the time and making all the effort to teach me, but more importantly, for inculcating in me, the love for piano music. I would not had accomplished what I did in all these years if it was't for their patience and skills. Thank you Techa, thank you Iliana, wherever you may be.
Written by Javier Anaya
STARTING POINT
Information:
- Source: Approved Measures Notebook
- Key: C Major
- Measures: 48
- Parts: Cello and Piano
- Duration: 2:40 min
- Pages: 4 Pages
Starting Point (Approved Measures)
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Cello, Piano
Pop / 2022 / Copyright © Anaya Javier
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"Baroque music could be very well the starting point that, even after all this time; has not stop."
THE BAROQUE
Baroque music is the closest to my heart than any other style of music, both, the ingenuity and the complexity of it, made the baroque music one of the most interesting and beautiful to listen to. From simple keyboard works to big Opera productions, the Baroque period extends its influence to this day, it lasted from around 1600 to 1750. One of the longest periods of music so far in history.
A whole century and a half full of music, much of it, understandably, remains unexplored. I compare the baroque period to the oceans. They say scientist know more about the planets and the stars than they know about the vast concentration of salt water in our planet. With this perspective, I would say, it is a fair comparison.
GRAUPNER
Christoph Graupner lived in this exciting time, born in January 13th 1683. He was a very prolific composer, celebrated for his passion and love for music; why not then, take advantage of his wonderful compositions and be inspire. Without over analyzing the music, one can learn a lot about the character of the composer by listening to original works.
The piano part of this duet, was indeed, inspired by "Intrada", a piano piece by Graupner, taken from the book: Easy Classics to Moderns Vol 17, a book that brings so many good memories. The baroque section of the book has trigger the impulse of wanting to go back 300 years to the starting point_ and touch the genius, in this case, of C. Graupner.
COPIED, USED OR BORROWED
When I composed this duet, I wanted to create an honest sound, vivid and real, with an infuse of contemporary pop sounding chords and patterns, the result is a delicate and truly emotional piece that has become a favorite. The melody of Intrada made it fairly easy for me to decided the direction of my own composition.
Baroque composers, certainly, copied the melodies of other musicians, a common practice that did not have any legal repercussions, in fact, it is my understanding that composers felt a great honor if someone copied, used or borrowed melodies to be included in new works. Handle for his part, was well known for recycled his own works, to be included and be transformed into new music.
Pop contemporary artist had borrowed complete classical melody lines in their recordings, sometimes partially, sometimes just discreetly modified. Although, classical music is in the Public Domain, anyone can use the work without obtaining permission, but no one can ever own it.
AN INVITATION
Going back to Graupner, according to his biography, He lived without much concern for posterity, he was a man of such humility that he requested all his music be destroyed after his death. He died in the year 1760, and all his work has been kept, unfortunately, most of it is not among the most well known baroque music.
I invite you to listen to the music of this great Baroque composer, a vast number of his compositions are available; go ahead, be adventurous and listen to something_ that perhaps for you_ it is completely unknown, step out of your comfort zone; I assure you, the big smile in your face would be impossible to avoid.
Written by Javier Anaya
BEEN THERE DONE THAT
Information:
- Source: The Wonders of Music Notebook
- Key: C Major
- Measures: 48
- Parts: Cello and Piano
- Duration: 3:37 min
- Pages: 4 Pages
Been There, Done That (The Wonders of Music Notebook)
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Cello, Piano
Pop / 2023 / Copyright © Anaya Javier
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A great book should leave you with many experiences, and slightly exhausted at the end. You live several lives while reading. ― William Styron, Conversations with William Styron
HOW MANY IS TO MANY?
UNFAIR LIST
- Wuthering Heights by Emily Bronte
- The Transformation of Bartholomew Fortuno by Ellen Bryson
- The House At Riverton by Kate Morton
- The Alienist by Caleb Carr
- Love In The Time of Cholera by Gabriel Garcia Marquez
- La Ley Del Amor by Laura Esquivel
- Quo Vadis by Henryk Sienkiewicz
A PERSONAL INVITATION
FORBIDDEN IDEAS
Of course, we live in a world where the message of a book could be found offensive for someone or for a certain group of people. Authorities all over the globe had, at one point or another, banned books. Countries with democracies very well establish will continue doing so in spite of the numerous attempts to convince the population of freedom of speech. Yet, where to draw the line?, for we all know that written words are powerful.
BOOKS VS MUSIC
I apologize if I went off track a little bit, but there are things that needed to be said, such is the extend of the topic on books. All the literature available in the whole world, could easily match that of all the music we have access today. Perhaps is the other way around, who can tell?. Books (reading information) as well as music are an inseparable part of humanity, both are present in all corners of the earth.
Written by Javier Anaya
LOS ANGELES
Information:
- Source: California Sessions Notebook
- Key: F Major / D minor
- Measures: 48
- Parts: Cello and Piano
- Duration: 2:49 min
- Pages: 4
Los Angeles (California Sessions Notebook)
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Cello, Piano
Pop / 2021 / Copyright © Anaya Javier
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There are two modes of transport in Los Angeles: car and ambulance. Visitors who wish to remain inconspicuous are advised to choose the latter. – Fran Lebowitz
THE CITY
I love L. A., is the most Mexican city in the world. A town full of revelations, addictions and contradictions; everybody is nice, and they have excellent weather, so they allow themselves to make movies about bad weather and horrible people.
My grandparents lived in L.A., specifically in the popular area that is known as East Los Angeles. What a surprise?, well, not to me, it is only logical to think that they decided to live in an area where they felt at home, because, 95% of the population in that area are Hispanics. _ What is surprising is the other 5% that want to live among Latinos_ Oh light up!, that was a joke. But, because of this fact, East Los Angeles is consider to be, one of the least divers places in United States.
WALKING AROUND
The history of Los Angeles reveals a great deal of interesting facts, I would recommend to do a walking tour to experience first hand the reality of what the town is all about, and while you are at it, get all the juicy details of what, where, how and whom?.
Last year, as a special visit, I did a couple of tours on Downtown title: The Beginnings; which featured some of the older buildings and streets in the area, and it is packed with history; the other one was Haunting Tales; it highlighted the most horrific crimes and unsolved mysteries since the 19th century till the present in Los Angeles.
FROM BIG TO SMALL
It is a strange, but very reassuring feeling when I am in the city, it feels like some type of anonymity merge with excitement, as if I am watching a movie in the comfort of my living room, and at the same time, I'm the protagonist of the show.
Los Angeles is consider to be among one of the Entertainment Capitals of the World, and it truly lives up to its name, Hollywood movies make this possible, it is rightly an amusing town. L.A. is a town that stirs so many emotions for so many reasons. It is the second biggest city in United States, and from my perspective, the bigger the city has become, the shorter its name appeared.
WHAT A NAME
Its name had been shortened through the years, overall, the city has been known in many variations, officially and by popular stipulation, more or less, by the same name or nicknames since its founding year 1781 to the present year 2023. However, according to some articles from the 1800's, the area was already refer to simply as L.A.
- El Pueblo de Nuestra Señora la Reina de Los Angeles del Rio Porciúncula.
- El Pueblo de Nuestra Señora la Reina de Los Ángeles
- El Pueblo de La Reina de Los Angeles
- Los Angeles City
- City of Angels
- Los Angeles
- La-La Land
- L.A.
THE MUSIC
I wrote this piece as I often do, thinking of it as a light dessert, with no sugar added, a nice treat for any giving day that I know I can play over and over and not being mentally indispose. Originally, I wanted the music to flow at a fast tempo, but I had to remind myself that not everything fast in life is better. Thus, I decided to marked the tempo as Moderato, at the end of the day, musicians decide on their own interpretation, making changes as they pleased.
This piece taken out from my California Sessions Notebook, represents my love for L.A. a city that has a long love-hate relationship with the world, a city where everything seems plastic, and all people appeared fake. I wanted to write a piece that will show fake people still humans, and the plastic, we cannot live without it. Go ahead, detach from harsh realities, have a bit of fun, and if you have the opportunity visit L.A.
Written by Javier Anaya
SOMETHING ALWAYS
Information:
- Source: Music and Life NOTEBOOK
- Key: C Major
- Measures: 48
- Parts: Cello and Piano
- Duration: 2:38 min
- Pages: 4 Pages
Something Always (Music and Life Notebook)
PDF + MP3
Cello, Piano
Pop / 2022 / Copyright © Anaya Javier
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“Even in the mud and scum of things, something always, always sings.” ― Ralph Waldo Emerson
EMERSONS'S WORDS
IN CONSTANT CHANGE
Change could represent pain, danger, compromise. I do not know why things happen this way or that, but they do, and when I looked back at my past, it automatically injects an extra dose of painful nostalgic yearning for simplicity. We live in a world that dies and renews itself, but what's gone is gone, and strangely as it seems, despise the strong yearnings; there is singing everywhere I look, weather I choose to look at my past with nostalgia, or at my possible future with excitement.
THE LIST
I tend to remember my past with a sense of awe, either because, I choose not to recall the bad memories or, because I feel completely healed from traumatic experiences, I do not know. When I was younger, it was easier to adapt to changes, the decade of the 80's proved to be full of upheaval, and I lived through it all.
Everything was changing, and technology was not an exception, new models were introduced to the masses at the speed of light that obviously, changed the whole world and also the way I see it. Suddenly, to my advantage, I was able to used modern innovations, never seen before, to isolate myself when difficult times hit.
I've made a list of some of the most innovated technology items I could remember that left a long lasting mark in me. Throughout my childhood and adolescence, the used of them, helped me filter out all the mud and scum of things, after all these years, their fond memory continues doing so.
- LONG PLAYS
- ATARI
- WALK-MAN
- CASSETTE TAPES
- VHS
As the years rolled by, the memories of this technology had become a healing ointment to my wounds. The technological changes I've experienced then, compress the comfortable life I recognise now. It is nothing but contradictions, but again, remember that I was able to handle changes much easier when I was younger. But due to the endless hours of entertainment and education they brought into my existence, they defined part of who I am. However, It is not about the technology in itself, it is about what they represent in my life. Because of that, If today all hell breaks loose, I would be singing
THE COMPOSITION
As we continue heading towards an uncertain future, we must be prepare for the changes ahead. But that is a topic for another day, meanwhile, I hope you listen to the piano-cello piece I've composed. It tells the story of past happy times, and also the longing for a simpler life, a piece that comforts the senses. As you listen to the music I remain optimistic that you would hear the singing in the world, and as you listen to it, I also hope, it makes you dance as well.
Yes, somehow, the excitement of the future, irremediably, becomes the nostalgia of our past, and despite the beauty or the ugliness of the world, something, always always sings.
Written by Javier Anaya
WELCOME
THE PROJECT
My name is Javier Anaya. My love for music goes back to when I was a kid. The piano lessons I took at a local school in my hometown are some of the most cherish memories I have in store. While I was living in Sacramento, CA, I was introduce to the cello and I haven't looked back. Few years ago, I started written music for the Flats and Sharps project, a personal music diary that I would like to share. After a year, it was necessary to organise the music, and it was then that I had the idea of the Notebooks, each representing different chapters in my life.
TREASURE CHEST
SUCH POWER
Music is like a magical key that unlocks a door to an unexpected beautiful place where borders, cultures, and backgrounds don't exist. It has this power that makes us feel connected in a way that words often can't. I hope that as you listen to each piece, and allow yourself to get lost in each melody, you'll experience a slice of my world.
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